The Edit: Capturing the Last Light
There’s a very specific window of time, just as the sun starts to drop, where the light gets heavy and the colours shift into something almost cinematic. It’s fleeting, evocative, and exactly what I wanted to bottle up for this collection.
Getting those tones from my head onto the fabric, however, was an agonising process. We spent a ridiculous amount of time on the peach. It was a fine line to walk; I didn't want it looking sugary or "girly" like a standard pink, but I didn't want it drifting into a bright, sporty orange either.
I was chasing a very specific, muted peach—the kind that feels sun-baked and nostalgic. We went back and forth with our manufacturers constantly. I’m lucky they had as much heart for this project as we do; even when we had to scrap entire batches of dyed fabric because the tone was a fraction off, they got it. It’s been a complete labour of love, but the process and then finally seeing what you imagined come into reality is both anxiety inducing and exhilarating in equal amounts.
The Palette
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Saffra: Inspired by the upper sky. It’s a mix of burnt coral and sun-baked peach—that soft-focus, golden hour warmth.
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Rubra: The deep stuff. Burnt ochres and earth-reds that mimic a low, heavy sun hitting the horizon. It’s got a rusted, saturated glow.
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Viridis: An ode to the landscape itself. A quiet, mineral green that captures how the fields look once the light starts to fail.
In the end, it was less about matching a swatch and more about capturing a feeling. These tones are about that transition from the day's noise to the evening's quiet—a mood we’re finally ready to share. I think you're going to love them.
